Invited review-essay, Andrew Norman's A Trip To the Moon, The Opera Quarterly. Vol. 33, No. 2 (2018), 5500 words (in press).
"Research, Practice, and Musical Magic: University of Toronto Choirs Sing the Music of Ruth Watson Henderson." Canadian Music Educator. 54.3 (Spring 2013), 30-31.
"'salt strange and sweet': Musical and Dramatic Tensions in Written On Skin." Conference paper. 54th Annual Conference of the Royal Musical Association, University of Liverpool, 7-9 Sept. 2017
"Dazzled By The Stars: Beethoven, Kant, and the Confusions of the Sublime." Conference paper. 6th Conference of the Royal Musical Association Music and Philosophy Study Group, King’s College London, 13-14 July 2017
"All Aria: Minimalism and Postdramatic Opera." Conference paper. Sixth International Conference on Music and Minimalism, Society for Minimalist Music, University of Tennessee, 21-25 June 2017
"This Is Not Catharsis: the grotesque, the uncanny, and the problematic ending of Wozzeck." Conference paper. The International Conference on Music Since 1900, University of Glasgow, 7-9 September 2015
Interview with The WholeNote magazine with Lindsay Lalla, by Lydia Perovic, about art song, working with text, and Lalla's "Imperfect Song" recital.
click here for the web version
click here for WholeNote's September 2017 issue PDF (page 32)