“Research, Practice, and Musical Magic: University of Toronto Choirs Sing the Music of Ruth Watson Henderson.” Canadian Music Educator. Vol. 54, No.3 (2013), 30-31.
“‘Site’-specific Opera: Invisible Cities and Postminimal Opera in the Age of YouTube.“ Seventh International Conference on Minimalist Music. Cardiff University, Wales, 22-26 Aug. 2019
“‘salt strange and sweet’: Timbre and Tension in Written on Skin.” American Musicological Society Annual Meeting, San Antonio, Texas, 1-4 Nov. 2018
“‘salt strange and sweet’: Musical and Dramatic Tensions in Written on Skin.” 54th Annual Conference of the Royal Musical Association, University of Liverpool, 7-9 Sept. 2017
“Dazzled By The Stars: Beethoven, Kant, and the Confusions of the Sublime.” 6th Conference of the Royal Musical Association Music and Philosophy Study Group, King’s College London, 13-14 July 2017
“All Aria: Minimalism and Postdramatic Opera.” Sixth International Conference on Music and Minimalism, Society for Minimalist Music, University of Tennessee, 21-25 June 2017
“This Is Not Catharsis: the grotesque, the uncanny, and the problematic ending of Wozzeck.” The International Conference on Music Since 1900, University of Glasgow, 7-9 September 2015
Interview with barczablog about women in opera creation
Interview with The WholeNote magazine with Lindsay Lalla, by Lydia Perovic, about art song, working with text, and Lalla's “Imperfect Song“ recital.
click here for the web version
click here for WholeNote's September 2017 issue PDF (page 32)