“textural intensity and myriad styles that suggest an exploration and boundlessness that is somehow always cohesive”
— Opera Canada

Words

 
 

“Arranging as Process and Product: A Composer’s Perspective.” The Oxford Handbook of Arrangement Studies. Ed. Ryan Banagale. Oxford: Oxford University Press, 2026. (forthcoming)

“Nothing New Under the Sun: Composition as Adaptation.” The Cambridge Companion to Composition. Ed. Toby Young. Cambridge: Cambridge University Press, 2024. 257–269.

Profile, Choral Repertoire by Women Composers. Ed. Hilary Apfelstadt and Alan Troy Davis. GIA Publications, 2025. 408-411.

Interview: ‘Soundstreams present The Bright Divide’, Foyer, Art Gallery of Ontario (Oct. 2023)

Cover feature, La Scena Musicale magazine, Vol. 28 No. 6 (Apr-May 2023), pg. 22-24. Online here.

Feature profile, Opera Canada magazine, Vol. 63 No. 4 (Spring 2023), pg. 26-29.

“Room to Fail or Doomed to Fail? How misunderstandings of creative labor in opera undermine new works.” Modern Language Association convention, 2023